As we enter the summer of 2021, it seems we are all breathing a little easier and enjoying a collective return to life after all the difficulties + hardships surrounding the pandemic. With this inspiration board, we aim to reflect the shift in mood by offering vibrant images full of texture and color.
Happy Thanksgiving from APP!
The winding path to peace is always a worthy one
no matter how many turns it takes.
Amy Parry Projects finds gratitude in the creative ties that bind us; the fact that inspiration and wonder are never cancelled.
Wishing you a wonderful week of peace this Thanksgiving.
simple earth art installation by Andy Goldsworthy
Currently Inspired By (Quarantine Edition)…
We come to you with no offer of commitment or philosophy regarding the current global situation. Things are weird. And hard! Amy Parry Projects is just doing what we can do - working to create custom art for hospitality projects with an unbroken spirit of collaboration, love and empathy.
We know you have been absolutely inundated with messages from just about everywhere, so please accept a friendly hello and our offer of 100 new art images as we enter this new season (in more ways than one).
_______
To quote Asheville-based painter Moni Hill (included here):
This virus is uncovering what is essential! Connection. Movement. Nature. Art.
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Please note the work by Dana Montlack - turning imagery and data related to microorganisms into gorgeous photographs / Greg West - dimensional paint dabs of fun, iconic animals and people / Imi Hwangbo - meticulously cut and layered sheets of mylar / Angie McMonigal - architectural “quilt” photos captured on urban walk-abouts / Eyes as Big as Plates - a sculptural photographic series capturing 50 seniors across the globe embedded in their natural environments / Lloyd Benjamin - colorful silkscreens that capture scenes from the artists “peripatetic” youth (traveling from place to place being one of the things we simply cannot do at the moment) / Suzanne Saroff - a fun look at florals through glasses of water - something we could potentially incorporate into our involuntary home-school curriculum.
Happy Valentines Day from Amy Parry Projects
Much love from all of us at Amy Parry Projects today (and every day)!
Image courtesy of our friends Greg + Jim of Lost + Found Creates. See more of their amazing photography work here.
Currently Inspired By...
Happy 2020 from Amy Parry Projects!
Hope your year has started beautifully! We are feeling very inspired by the transition into a brand new decade. Please enjoy this latest selection of new, eye-catching art; our first Inspiration Board of the year.
Lots more to come!
Currently Inspired By...
October is here. Let the leaves fall where they may…
We are entering the final few months of the year as inspired as ever by the work being created all around us. Collected here are 100 new pieces of art that are fresh and bold - lots of color, content and a variety of unusual materials. After all, the end of a decade is no time to be boring!
Amy Parry Projects Places a Unique Fabian Oefner Photograph
Fabian Oefner Meshing of Art + Science | by Mallory Johnson, 2019 Summer Intern
We recently chose one of Fabian Oefner’s disintegrating car images for a special client’s new auto gallery (designed by Blue Lantern Studios). The image will be customized to match the bright Mexico Blue of the owner’s personal Audi R8 which will be stored (among other vehicles) in the new space. The alteration of the original color not only makes this image exclusive to the client but it functions as an essential design element to tie the space together. This project goes to show that any room can be enhanced by the addition of artwork. Oefner’s dynamic, detailed and illusionistic image brings personalization and beauty to a space that is designed to be so much more than just a garage.
Oefner himself is an internationally renowned Swiss photographer whose work has been showcased from New York to Dubai. The artwork selected for this project comes from his series of images showing cars breaking apart. This particular large-scale photograph shows an Audi R8 frozen in time as it disintegrates. The front end of the vehicle is still intact while the rear is quite literally breaking away in front of our eyes. Against the black background every metallic component of the car stands out. Oefner allows the viewer to experience something that in reality would only last a split second. There is a certain satisfaction in not only being able to watch time stop, but also to see the inner workings of a luxury vehicle. On top of that, what we are looking at is entirely created by the artist. It is not a genuine explosion captured by Oefner’s camera, but a hyper realistic rendering based on thousands of individual photographs.
In order to create the Disintegrating series of images, Oefner photographs each part of the car, even the most miniscule elements. While it is a painstaking process, the outcome is an intricate image that highlights the elegance and integrity of each vehicle. There is a certain musical quality to the work as well. The way he has perfectly orchestrated this car to come apart makes the viewer feel as though they are watching a symphony of auto parts in which each nut and bolt is essential to the whole image. He stays true to the construction of each specific car, which ensures that the authenticity of the piece rings true even though it is a manufactured “explosion.” Oefner is unique in his conception of the image; it is a scientific dissection of the whole vehicle rather than just the fiery wreckage of a high-performance car.
One major element at play in this artwork is the concept of time. In his own words, “There is a unique pleasure about artificially building a moment… Freezing a moment in time is stupefying.” Oefner’s scientific approach to art and a preoccupation with conceptual ideas are best explained in his 2013 TED talk, “Psychedelic Science.” In this intriguing talk, Oefner explains his artistic purpose and offers insight into how he brings his images to life. He clearly has both an artistic and analytical mind; this combination allows him to manipulate a concept such as sound and make it into something that you can see. His work is both visually stunning and extremely playful, especially regarding the pieces showcased in his TED talk. The colors are bright and bold and similar to the Disintegrating images. There is a focus on bringing attention to even the smallest aspects. As for his purpose as an artist, he states that, “what I’m trying to do as a photographer, as an artist is to bring the world of art and science together.” Both science and art are responses to their surroundings, by combining the two concepts he is creating, “Images [that] speak to the viewer’s heart but also to the viewer’s brain.” Oefner’s purpose is evident in each of his Disintegrating images, he is appeasing human curiosity by displaying the insides of the car splintering into space.
You can check out more of Oefner’s work here: LINK | Or watch his TED talk here: LINK
Happy 4th of July
Amy Parry Projects will be closed for production this week in honor of our nation’s anniversary of independence. We hope everyone will enjoy their own time of celebration, reveling in the
feeling of being “free.”
Freedom lies in being bold.
(Robert Frost)
Please enjoy this beautiful digital work by Connecticut based photographer Joseph Jurson.
Via Sophia + Society Now Open in DC featuring APP Art Program →
A Fiola Mare Alum Opens a Fancy New |All-Day Osteria Downtown
Via Sophia and a hidden cocktail bar will debut in the Hamilton Hotel
by Tierney Plumb
Jun 11, 2019, 1:24pm EDT
Photos by Rey Lopez/Eater DC
The Hamilton Hotel is ready to unveil the final pieces of its multi-million dollar renovation downtown at the corner of 14th and K Streets NW. An Italian restaurant specializing in Neapolitan pizza and a glamorous, postage stamp-sized bar serving cocktails and caviar are both scheduled to open tomorrow.
Following a full lobby transformation and guest room refresh, the historic 318-room hotel is replacing its outdated 14K restaurant with an all-day osteria called Via Sophia. A dark, library-themed bar called Society is hidden off the lobby.
The anticipated two-part venture is helmed by an all-star hospitality cast that includes Via Sophia executive chef Colin Clark, who’s amassed an impressive East Coast resume by working under several James Beard Award Winners (Marc Vetri, Jeff Michaud, and Fabio Trabocchi). He was also part of Le Diplomate’s opening team in 2013. Most most recently, Clark was chef de cuisine at Trabocchi’s Georgetown Harbor darling, Fiola Mare.
Via Sophia (1001 14th Stree NW) will open with breakfast, lunch, and dinner. There’s also an weekday happy hour for apertivos and a late-night pizza menu. Weekend brunch will join the mix later this summer.
In Clark’s new post, he hopes to breathe new life into the same block as The Washington Post’s headquarters overlooking tree-lined Franklin Square.
“We are going for upscale — this is 14th and K and we are trying to make it a dining destination,” Clark tells Eater.
Since wood-fired Neapolitan pizza is Via Sophia’s star attraction, the staff went the extra mile to elevate their pie-making skills. Clark and sous chef Cameron Willis trained under master pizzaiola Roberto Caporuscio, owner of New York City’s Keste Pizza & Vino and Don Antonio (named “#1 Pizza in New York” by New York Magazine).
Five seasonal pizzas at Via Sophia include a classic Margherita — with San Marzano tomatoes, buffalo mozzarella, and fresh basil — and Fra Diavlo (salame picante, fresno chiles, red onion, buffalo mozzarella, San Marzano tomatoes).
Even the staff floating around will be dressed to the nines. Ashley Blazer Biden, Joe Biden’s daughter, designed the hotel’s new stylish black-and-white uniforms in collaboration with Livelihood.
Atlanta-based Art Consulting Firm, Amy Parry Projects, helped curate a custom art collection that weaves old and new elements across Via Sophia. Think nostalgic antique metal pizza peels juxtaposed with modern photography and abstract art pieces.
Clark’s most recent cooking stint at seafood-focused Fiola Mare is evident across its underwater section of dishes. A grilled Norwegian salmon features a traditional Spanish romesco sauce, alongside charred broccolini, pine nuts, and black garlic dressing. A minimalist presentation of black bass, accented with baby squash, asparagus tips, morels, and a golden beet border, lets the fish shine.
Southern Italian-inspired dishes include bruschetta built on a house-baked semolina loaf; tagliata di manzo (sliced steak) with charred spring onion, confit cherry tomatoes, balsamic reduction, arugula, and barolo jus; and monkfish ossobuco, with sauce livornese, clams, olives, capers, fennel, and potatoes.
“This is very in line with my background — the whole idea is a balance between rustic and modern,” Clark says. “We knock the rustic element out of the park — it was a decision early on to make bread, pizza, and pasta in house.”
Chicken al mattone (crispy artichokes, guanciale, peppers, maitake mushrooms, chicken jus) is “as old school rustic as it gets” he adds.
Carb-driven entrees include ravioli finochietta, with asparagus tips, fava beans, morels, and fresh parmigiana. Pappardelle comes with rabbit ragu, ramps, pecorino and Castelvetrano olives.
Antipasto orders include caponata-toasted eggplant with San Marzano tomatoes, golden raisins and pine nuts. Meat and cheese boards feature prosciutto di parma aged 24 months.
Wines and spirits hailing from Italy largely make up the drinks section, with some 120 wine bottles available. Local makers from D.C. and Virginia also contribute to the craft beer and spirits selection.
Society, inspired by Prohibition-era secret societies and private clubs from the art deco period, features just 14 seats. Fancy bar snacks include caviar with panna cotta, nuts, and Sicilian olives. Zack Faruki, an alum of Michelin-starred Fiola, is leading a mixology program.
Wines by the glass start at $20, and big spenders can also peruse from a rare collection of reds with a few bottles dancing near the $700 mark.
Society is an ode to renowned French-born architect Jules-Henrí de Sibour, who originally designed the hotel in 1922. The Prohibition-era architect was a member of Yale’s Skull and Bones Society. Framed hand drawings and photos taken from his time at Yale line the walls.
Hours are Tuesday and Wednesday, 5 p.m. to midnight; and Thursday through Saturday until 1 a.m.
Currently Inspired By...
When we discover new artists or get blown away by new work from some of our old favorites, we do our best to share the work and hopefully pass on the inspired feeling. It is a very exciting time to work in hospitality design and we have enough ideas for any kind of project.
Here's to the beauty of endless possibilities!
Please let us know how we can contribute custom art to what you're working on this summer.
Currently Inspired By...
AP Projects has been working on a plethora of new projects as we transition from Winter to Spring. This March Inspiration Board is a collection of things that have stuck with us along the way.
Click to see cool assemblages, lovely layers and all the colors of the rainbow.
The Coolest New Things...
Thrillist Travel just put out a list of the “Best New Things to do in America in 2019.” On the list are museums, distilleries, restaurants and hotels. Ironically, the item on the list we were the most excited about was a theme park:
SoundWaves at Gaylord Opryland.
Towards the end of 2018 we had the pleasure of working with Atlanta-based BLUR Workshop on custom wall-coverings for the party rooms for this massive fun-spot. Here’s a peak at one of them at the time of installation.
More about the Park from Thrillist here:
Nashville, Tennessee
Expected Opening: May 2019 (Indoor facilities are open now)
As hot as Nashville is as a vacation destination, it’s a seven-hour drive to the closest beach. If you’re looking for aquatic entertainment, winters are too cold and summers are too oppressively humid to comfortably to hang out poolside. That's all changing with the opening of SoundWaves at the Gaylord Opryland Resort, a property so sprawling you could probably spot it from space. The indoor section is already in operation, but when SoundWaves fully opens this summer, it'll have more than 200,000 square feet of water-based fun. Think water slides and tube flumes lined with LED lights, a 315,000-gallon wave pool, plus a gigantic movie screen and speakers throughout the space. It's not all shrieking kids, either -- there will be designated adults-only areas like bars, lounges, private cabanas, and party rooms perfect for bachelorette parties.
Living Coral | PANTONE's 2019 Color of the Year
I was pretty happy with the announcement of Living Coral as the PANTONE Institute’s Color or the Year, considering I own numerous sweaters, two wing-back chairs, a laundry hamper and a vintage stereo in this particular, fun shade of pinkish-orange.
Chosen for it’s vibrancy and connection to our “naturally chromatic ecosystem,” the color is (like the choices from the last few years), ultimately about optimism.
Please enjoy a selection of artworks that successfully include this beautiful color.
Ellen Jantzen | Autumn Colors
The leaves here in the South are finally starting to change color. Celebrating the transition with
recent works by Sante Fe based photo-montage artist,
Ellen Jantzen.
Custom sizes and substrates available.
Enjoy!
Currently Inspired By...
We could not be more excited to usher in the next season of 2018. Please enjoy this Spring Inspiration Board, chock-full of bright and playful works of art.
Currently Inspired By...
"go sailing
away and away sailing into a keen
city which nobody's ever visited, where
always
it's
Spring and everyone's
in love and flowers pick themselves”
- e.e. cummings
The Floral Art of Holly Bryan
Art can come in many forms. Like a visual artist creating a masterpiece simply by putting pencil to paper, our friend Holly Bryan makes stunning works of art by simply combining and arranging different varieties of flowers and plants. Her designs allow for a fresh rotation of art, enhancing any environment.
Please take a moment to appreciate this sampling of her work. The artistry is so evident.
Rest in Praise, Mr. Christenberry
Renowned Southern artist, William Christenberry passed away Monday, November 28th. His photographs of the dilapidated buildings and vanishing landscapes of Alabama have as lasting endurance as the writing of Faulkner or the music of Ray Charles. Christenberry epitomizes the great identity within Southern culture that was written about in Heritage of the South: "a loyalty to a place where habits are strong and memories are long. If those memories could speak, they would tell stories of a region powerfully shaped by it's history and determined to pass it on to future generations."
We remain grateful for his eye and the Kodak Brownie that captured his images. Rest in praise, Mr. Christenberry.
Lost and Found Creates
Clearly we see a ton of art, but rarely have we been so instantly drawn in as we were by the photographs of Lost and Found, an artist collective of two. Jim Newbury and Greg Slater, originally ad-agency co-workers now decades-long friends, have amassed an amazing collection of photographs that honor lost objects, found on a series of adventures they have taken across the American South.
Beginning in the mid 80s, Jim and Greg would go on road trips together, surveying the South's folk art meccas, and devoting their leisure time to a mutual appreciation of work by artists like Leroy Almon, RA Miller and Clyde Jones. Their trips consisted of talking in the car, listening to specifically curated music and diving into the culture of the towns they passed through. Jim told stories and struck up conversations with locals, and Greg took photos.
In the early 2000s, they began methodically re-shooting locations originally exposed by photographers they admire: William Christenberry, William Eggleston and Walker Evans to name a few. In addition to capturing American experiences, they picked up interesting objects at antique stores, roadside stands and flea markets. While they had no real agenda setting out, these trips resulted in a plethora of content. The professional affinities of the pair have led to the success of their resulting photos - Jim has an eye for design and direction and Greg has an incredible talent for photographing objects.
As you can see, the work is both elegant and masculine, and lends itself to many different iterations within the hospitality industry and beyond. The work can be presented in numerous ways, on a myriad of substrates, and really has the ability to punctuate a space and provide a narrative element for any design. Every space has a past and there are so many objects still out there to find and shoot.
Enjoy this selection of their photos and their reverence for time-worn objects...the old, the obsolete. Jim and Greg have managed to elevate these simple, often utilitarian objects, to fine art and to celebrate the patina on America's forgotten "stuff." We love their story and look forward to sharing their work whenever possible. Let us know what you think.
APP Words with Friends - Jody Fausett
We reached out to Jody Fausett a few weeks ago, asking to start a dialogue with him about his photography, his influences and his fascinating conglomeration of fashion industry styling and Southern nostalgia. The following is what he sent back in response. This vignette, an explanation of his process and an exploration of his work through its pop culture and family muses is everything.
We're obsessed. Enjoy.
Home Theatre by Jody Fausett
Fashion Editorial for Vanidad Magazine
I never had a studio. When I lived in New York and a stylist got a box from Louis Vuitton for an editorial, we would shoot it in somebody’s apartment and order pizza. After the model is lit, nobody worries about those Home Depot cabinets. I love working off of a real space. Interior flaws and knick-knacks add to the model’s character in the story. Kitchen dominatrix: those floors will be spotless, I promise. I always watch the body, especially the fingers in a photo. You don’t want missing digits.
Growing up in a small town, all I wanted was to work in New York. When I got to New York, all I wanted was to return to Georgia and work on my personal projects. My grandparents’ house was my favorite studio – all that stuff that I could light with strobe. It made the familiar become surreal and created a different domestic tension that got shifted into my version of home theater. When my grandfather got sick, I felt that the one trip a year I could afford to come home was not working anymore. I returned to be nearby.
When he passed away, I continued taking pictures there. The airless silence could be too morose, so I pushed for portraits. My favorite model over two decades has been my grandmother. This is how I connect.
When setting up, I work alone and quietly move the lights around to figure out what I feel works. Usually, she mows the grass, her favorite thing, while I work on the pose to find the light. That way I can walk her into the ready shot and not have her wait too long.
Test Shot // "Gloria" (1980), Directed by John Cassavetes // Five Shotguns, pigment print,
40" x 50"
Decades of guns line the wall next to the vanity. This portrait came up out of the conversation of being a widow and knowing how to handle a weapon. Understanding the weight of the gun, you can take care of yourself. With no more big suppers to cook, she becomes svelte, decisive, and feminine.
Test Shot // "Siren" (1975), Roxy Music outtake photographed by Graham Hughes // Photoshop screen grab
For a long time I shot this perennial series in the interior domestic spaces, but I decided to move outside and capture images without borders, images of infinity. An oil leak that has altered the surface of my grandmother’s carport for over fifty years provided a welcome set for this narrative. I have returned to this space many times for different ideas, but on this shot I saw waves crashing over the rocks. The detached car door found in a shed would do.
From years of fashion work, it’s obvious for me now to retouch. It is not a documentary so much as part biography, part novella.
Occasionally, my grandmother is my assistant with great ideas on how she sees things. When we torched an old chair in storage, she helped with the fire. Later, she told me that the fire was unimpressive and we should try again the next day. We would find another chair in storage, she said. It feels good to catch furniture on fire.
Test Shot // "Miss World" (1994), Hole video Directed by Sophie Muller // Outtake detail
The back bedroom has all the original furniture from when my mother was a teenager. Now it is the secondary vanity with all the perfumes and powders. I use seamless paper to change the reception of the interior, to highlight a specific piece of furniture with all that history (shoelaces used as a drawer-pull now). Even after I stood in to test the lighting on skin, the perfume powders took about 70 times to get the spray right.
Test Shot // The Swing by Jean-Honoré Fragonard // Wet Driveway, pigment print, 24" x 36"
The final portrait I shot again with the driveway in the background when it was pouring rain. I watched those magnolias tower and slowly cut off the sound of the highway to become something pastoral - this private garden, a place to reevaluate. I carefully directed her fingers in my plein-air studio, the carport off the highway.
- JF
Jody lives in Atlanta. For inquiries about his work please contact Jackson Fine Art.
If you want more, find Jody on Instagram.