Amy Parry Projects Places a Unique Fabian Oefner Photograph
Fabian Oefner Meshing of Art + Science | by Mallory Johnson, 2019 Summer Intern
We recently chose one of Fabian Oefner’s disintegrating car images for a special client’s new auto gallery (designed by Blue Lantern Studios). The image will be customized to match the bright Mexico Blue of the owner’s personal Audi R8 which will be stored (among other vehicles) in the new space. The alteration of the original color not only makes this image exclusive to the client but it functions as an essential design element to tie the space together. This project goes to show that any room can be enhanced by the addition of artwork. Oefner’s dynamic, detailed and illusionistic image brings personalization and beauty to a space that is designed to be so much more than just a garage.
Oefner himself is an internationally renowned Swiss photographer whose work has been showcased from New York to Dubai. The artwork selected for this project comes from his series of images showing cars breaking apart. This particular large-scale photograph shows an Audi R8 frozen in time as it disintegrates. The front end of the vehicle is still intact while the rear is quite literally breaking away in front of our eyes. Against the black background every metallic component of the car stands out. Oefner allows the viewer to experience something that in reality would only last a split second. There is a certain satisfaction in not only being able to watch time stop, but also to see the inner workings of a luxury vehicle. On top of that, what we are looking at is entirely created by the artist. It is not a genuine explosion captured by Oefner’s camera, but a hyper realistic rendering based on thousands of individual photographs.
In order to create the Disintegrating series of images, Oefner photographs each part of the car, even the most miniscule elements. While it is a painstaking process, the outcome is an intricate image that highlights the elegance and integrity of each vehicle. There is a certain musical quality to the work as well. The way he has perfectly orchestrated this car to come apart makes the viewer feel as though they are watching a symphony of auto parts in which each nut and bolt is essential to the whole image. He stays true to the construction of each specific car, which ensures that the authenticity of the piece rings true even though it is a manufactured “explosion.” Oefner is unique in his conception of the image; it is a scientific dissection of the whole vehicle rather than just the fiery wreckage of a high-performance car.
One major element at play in this artwork is the concept of time. In his own words, “There is a unique pleasure about artificially building a moment… Freezing a moment in time is stupefying.” Oefner’s scientific approach to art and a preoccupation with conceptual ideas are best explained in his 2013 TED talk, “Psychedelic Science.” In this intriguing talk, Oefner explains his artistic purpose and offers insight into how he brings his images to life. He clearly has both an artistic and analytical mind; this combination allows him to manipulate a concept such as sound and make it into something that you can see. His work is both visually stunning and extremely playful, especially regarding the pieces showcased in his TED talk. The colors are bright and bold and similar to the Disintegrating images. There is a focus on bringing attention to even the smallest aspects. As for his purpose as an artist, he states that, “what I’m trying to do as a photographer, as an artist is to bring the world of art and science together.” Both science and art are responses to their surroundings, by combining the two concepts he is creating, “Images [that] speak to the viewer’s heart but also to the viewer’s brain.” Oefner’s purpose is evident in each of his Disintegrating images, he is appeasing human curiosity by displaying the insides of the car splintering into space.
You can check out more of Oefner’s work here: LINK | Or watch his TED talk here: LINK
Happy 4th of July
Amy Parry Projects will be closed for production this week in honor of our nation’s anniversary of independence. We hope everyone will enjoy their own time of celebration, reveling in the
feeling of being “free.”
Freedom lies in being bold.
(Robert Frost)
Please enjoy this beautiful digital work by Connecticut based photographer Joseph Jurson.
Currently Inspired By...
When we discover new artists or get blown away by new work from some of our old favorites, we do our best to share the work and hopefully pass on the inspired feeling. It is a very exciting time to work in hospitality design and we have enough ideas for any kind of project.
Here's to the beauty of endless possibilities!
Please let us know how we can contribute custom art to what you're working on this summer.
Lyla Lila Announcement - Art Consulting by AP Projects
Lyla Lila will bring house-made
pasta to
Midtown this fall
The restaurant from Craig Richards and Billy Streck is set to open in lilli Midtown later this year
By Carly Cooper - May 30, 2019
A rendering of Lyla Lila | Courtesy of Smith Hanes Studio
Last year, Craig Richards left his position as vice president of culinary for Ford Fry Restaurants and executive chef at St. Cecilia and joined forces with restaurateur Billy Streck (Hampton & Hudson, Nina & Rafi, Cypress Street Pint & Plate). The duo soon discovered they had more in common than a love of food: their daughters share a name. So it only made sense to express that connection through the name of their new restaurant, Lyla Lila. (Richards’s daughter is Lyla; Streck’s daughter’s middle name is Lila.)
“We had 30 names on the table, but this makes it a lot more personal to us,” Richards says. “The restaurant is an expression of us.”
Located in the lilli Midtown building at the corner of 3rd and Peachtree streets, the food at Lyla Lila is inspired by the cuisines of southern Italy and Spain. It will include house-made pasta and wood-fired meats and seafood, along with Old World wines and seasonal cocktails.
Pasta options will include smoked squash and ricotta caramelle with spiced pumpkin seeds and sumac; and tomato leaf pappardelle with pork and beef cheek ragu and charred peppers. There will be two risottos on the menu, along with entrees such as a pork porterhouse with eggplant and oysters; and a whole-roasted fishtail with smoked onions and lemon butter, served with an anchovy and arugula salad. Sides include a salt-roasted sweet potato with fermented chili butter, while appetizers will include lamb croquettes with fennel pollen aioli and a wood-grilled lettuce salad with rye croutons, wild oregano, and yogurt dressing.
The beverage program will focus on seasonal cocktails and Old World wines, along with both local and European-style beers in bottles, cans, and a few drafts.
“This food lends itself really well to sparkling wines, so we’ll have an expanded sparking wine program,” Richards says. “We want the beverage side and the kitchen to be a reflection of each other.”
When Lyla Lila opens in early fall, it will serve dinner seven days a week. Weekend brunch will follow, along with weekday lunch. Smith Hanes Studio is designing the 4,000-square-foot space.
“In developing the concept, we pulled out some old vinyl—Miles Davis, Duran Duran, old Madonna—and got inspiration that way,” Streck says. “You might see some vinyl playing on a turntable. We’re definitely encouraging an after-dinner crowd.”
Expect a wooden floor with tiles that merge into the horseshoe bar area. There’s an area with cafe tables and banquettes for cocktails, a dining room, and a 25-seat private room. The Peachtree Street-facing patio is designed for people-watching, while a second patio in the cocktail area features a fireplace as a throwback to Cypress Street’s sizable firepit.
“We want the patio to be a beacon if you’re coming from either side of town,” Richards says.
And if all goes according to plan, Richards says, Lyla Lila will have the energy and vibrancy of his daughter, who is “extremely excited” about having a restaurant named after her.
Happy Memorial Day!
Memorial Day, Sharon Shapiro, 2019, watercolor and graphite on paper, 57” x 59”
Currently Inspired By...
AP Projects has been working on a plethora of new projects as we transition from Winter to Spring. This March Inspiration Board is a collection of things that have stuck with us along the way.
Click to see cool assemblages, lovely layers and all the colors of the rainbow.
Living Coral | PANTONE's 2019 Color of the Year
I was pretty happy with the announcement of Living Coral as the PANTONE Institute’s Color or the Year, considering I own numerous sweaters, two wing-back chairs, a laundry hamper and a vintage stereo in this particular, fun shade of pinkish-orange.
Chosen for it’s vibrancy and connection to our “naturally chromatic ecosystem,” the color is (like the choices from the last few years), ultimately about optimism.
Please enjoy a selection of artworks that successfully include this beautiful color.
Currently Inspired By...
More and more we are honoring requests to show art options with greater depth and texture. For this last Inspiration Board of the year, we would like to share a “few of our favorite (dimensional) things.”
There is so much to love about three-dimensional art; how it can punctuate a space and accentuate the overall design. Please click through these options in wood, glass, metal, fiber, porcelain and even just thickly applied paint.
Happy Thanksgiving | What We Gathered at BDNY
Amy Parry Projects is enjoying a relaxing week in celebration of the Thanksgiving holiday. Wishing the same for all of our many friends and contacts!
APP Out of Town
In the spirit of gratitude, we are thankful for our work within the highly creative
Boutique Hospitality Industry.
We had a very inspiring trip to this year's Boutique Design New York (BDNY trade fair) where we could see and hear firsthand from leaders in our industry. The work of a lot of creative minds goes into each and every hotel and it was greatly affirming to see how much collaboration is truly happening.
The public spaces of our global hotels are being designed with greater connectivity in mind. There are amazing innovations in lighting, A/V and modular furniture. Accessories and mirrors are truly standing out. And punctuating all of the spaces, artwork is still cited as the icing on the cake - offering guests a sense of time and place which is an essential element of memorable travel. We saw inventive design elements that allow endless possibilities for integrating art. We are moving so far beyond the framed print these days!
BDNY proves this industry to be flourishing, with an abundance of exciting resources. Not surprisingly, the most fruitful part of our trip was the face time we had with some of the great Designers who bring all of these resources together. We are grateful to be one part of creating successful hotel experiences that guests will remember and we cannot wait to see what collaborations 2019 will bring about.
We were also fortunate enough to catch Nick Cave at Jack Shainman, the Salon Art + Design Show at the Park Armory and an absolutely incredible showing of Hilma af Klint's "Paintings for the Future" at the Guggenheim. Inspiration overload! (please visit our IG feed for more images from our trip!)
Ellen Jantzen | Autumn Colors
The leaves here in the South are finally starting to change color. Celebrating the transition with
recent works by Sante Fe based photo-montage artist,
Ellen Jantzen.
Custom sizes and substrates available.
Enjoy!
Currently Inspired By...
Heading into the last three months of 2018 with a great variety of exciting projects in the works. This fall is proving to be the busiest in recent memory!
Please enjoy this Autumnal Inspiration Board - chock full of color, texture and good vibes (as always).
Currently Inspired By...
AP Projects had the pleasure of working with experienced Art Consultant Catharine Auger this year.
Please enjoy this latest Inspiration Board, put together exclusively by Catharine.
Women's Work
As we close out March and Women's History Month, we want to give a shout out to some women artists who are still killin' it at basketry, typing, dress-making, porcelain painting, quilting, weaving, floral arranging, stitchery, pottery, etc. even though they don't have to.
Because "women's work" is always FINE ART.
Enjoy!
Currently Inspired By...
We could not be more excited to usher in the next season of 2018. Please enjoy this Spring Inspiration Board, chock-full of bright and playful works of art.
The Wonderful Work of Eileen Braun
A couple of weeks ago we had an amazing studio visit with mixed media sculptor Eileen Braun and were fascinated by her transition in materials - from ceramics to rattan - in the creation of her extraordinary, otherworldly vessels.
We are sharing here, her description of the work and a glimpse at what she has been working on.
"In 2016, I put my clay work on hold and sought a new media less demanding of material constraints. After a lot of experimentation, I found it in encaustic wax and rattan weed. As I make the work, the forms grow increasingly more complex. Their sizes range from 3 - 7 feet high and the deep shadows (not easily shown in images), provide a completely different personal experience. The work is deceivingly light, weighing in at a mere 2- 6 pounds.
My art mirrors natural forms with a biomorphic edge. Often the exact life cycle stage one is viewing is too complex to pin down. Is it focused on seed, mature growth, or the desiccation of this system? I leave that up to the viewer.
Movement, texture and complexity of form are integral to the work as well. My hope is that the viewer will be drawn in by the shape. While approaching, they will be intrigued by the ever-changing views because one can see both through and around the form simultaneously. The texture, shadow and line created by the materials add to the multidimensional cornucopia of delights.
Process: The sculptures are constructed from rattan reed, encaustic wax, cotton string, and glue. In some instances I have added dress-makers pattern tissue - influenced by my research of Japanese Akari lamps. The rattan reed is left natural or occasionally pre-stained; soaked, manipulated and secured at all junctions with cotton string. Additional elements to the sculpture are constructed or texturized with encaustic wax. The exoskeletons in many instances have been en-robed in wax, giving them the appearance of metalwork."
Enjoy the work and imagine the possibilities - tabletop installations, wall-hangings, ceiling installations...
Just exquisite!
Honoring MLK / Tim Rollins + KOS
"We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly affects all indirectly. Never again can we afford to live with the narrow, provincial "outside agitator" idea. Anyone who lives inside the United States can never be considered an outsider ... We will win our freedom because the sacred heritage of our nation and the eternal will of God are embodied in our echoing demands ..."
Letter from a Birmingham Jail
April 16, 1963
"Let us rise up tonight with a greater readiness. Let us stand with a greater determination. And let us move on in these powerful days, these days of challenge to make America what it ought to be. We have an opportunity to make America a better nation."
I Have Seen the Promised Land
April 3, 1968
* Tim Rollins, artist and visionary who used texts to elevate the minds of young at-risk youth in a collaborative practice of art making and activism, died on December 27, 2017. His legacy, like Dr. King's, is essential to our American story.
Ultra Violet | PANTONE'S 2018 Color of the Year
“We’re in a complex time; this is a complex color.”
- Lee Eiseman, Executive Director of the Pantone Color Institute
With their announcement, Pantone explains: "[Ultra Violet] is a very provocative shade, but it’s also a thoughtful color–it sounds like a bit of an oxymoron,” Eiseman says. “This is the kind of color attached, historically, to originality, ingenuity, and visionary thinking. These are the elements we need to create a meaningful future. Inventiveness and imagination is something we seek in our personal lives and business worlds. People are looking for that ‘magic bullet,’ and this shade is the perfect shade to lead right into it . . . It’s intriguing, fascinating, and magical.”
Please enjoy 20 images inspired by the color Ultra Violet...
Currently Inspired By...
Check out some of the art that has inspired us lately!
100 new images to warm you up!
Words with Friends | Brett Smith
Brett Smith is a self-taught abstract artist, represented in Atlanta by Sandler Hudson Gallery. We've been following his work for some time and just love it. We were delighted when he said yes to the casual interview, seen below. Thanks, Brett!
APP: So why Atlanta? As a South African native, how did you settle on this "city in a forest" and what are some things that keep you here?
BS: I got a tennis scholarship to play for Georgia State University. Back then, Atlanta was going to host the '96 Olympics so I thought that would be a great experience. Compared to other college towns, Atlanta seemed to be an exciting city to live in and had a lot going for it, so it really was an easy choice. Apartheid was ending in South Africa and the future was very uncertain, I had this opportunity and I grabbed it.
APP: I know your current series is called "From Scaffold to Thicket" and is largely inspired by all the cranes and construction chaos that is always scattered around our city. Can you talk about the thicket element and how this body is a progression from past bodies of work that are more obviously about nature?
BS: The full name of the current body of work is ‘the portrait of a landscape under construction, from scaffold to thicket we build.’ Recently the themes and ideas behind my work have shifted. I have become more interested in how we interact with nature not just being inspired by trees, flowers, branches etc. This delicate balance we have with each other and our precious planet, all the systems and structures that make up this complex web we interact with on a daily basis (and for the most part ignore) has become my new muse. All the construction going on around us in urban environments amplifies this idea of a constant need to build and grow. Nature also has a constant need (and struggle) to grow and flourish and this tension is the starting point for the current work.
APP: What kinds of "art tools" do you use that might surprise people?
BS: Lol!! Studio secrets! Well, the new paintings are made with an empty ballpoint pen and sometimes the back of a paint brush. I have also used paint stirring sticks from Home Depot and Popsicle sticks, whatever works!
APP: Can you comment on the trial and error aspect of creating these layers of lines and how you begin/when you finish?
BS: The paintings are really this great combo of painting and drawing. Technically, they are made of paint and a cold wax medium but I view them more as drawings. I just start drawing elements and images from photographs that I have taken or collected from social media or the internet. At some point I will pick up the paint brush and paint over some or part of the drawing. This creates a ghost like quality which for me is evocative of the building being destroyed over time and then I draw new images over the top. Recently I have used oil pastel to make additional images once the paint dries. This can be considered an example of trial and error as you are taking a big risk when you decide to draw over something that you already think is successful, but no risk no reward!
APP: We noticed you experimented recently with a bit of 3D. Is sculpture something you think you will dig deeper into?
BS: Yes, sculpture is increasingly on my mind. It seems like a natural progression for me and I have some ideas when this work gets exhibited, so stay tuned!
APP: You've been doing the black and white thing through this series but we love your past use of color also, particularly the orange. Do you have a color you like best?
BS: That is a tough one, color is so seductive. Orange was a stand out from the LIFE series but I’m not willing to say that is my favorite. I think it depends on the shade and intensity of the color; I mean there is red and then there is REDDDD!!!
APP: Do you ever draw curves? Or doodle in circles?
BS: I do, the first work on paper I ever did was circles drawn with watercolor pencil. It was based on bubbles in water; water is life after all. A lot of my work based on flowers also embraces the curve or looped line. I like exploring line in all its forms I just try and find what will be appropriate for what I’m trying to achieve visually and thematically.
APP: We would love to see your florals!
We noticed that you use the hashtag #globalwarming sometimes when you post images of your work. How does the work comment on this very timely topic?
BS: It gets back to this idea of balance. We need to keep building and expanding our cities, communities and population, (but) the environment is struggling to survive. It really is the war of our time; too many wrong moves and the ramifications can be catastrophic. I’m trying not to take sides just observing and trying to start a conversation. I want the paintings to be slightly overwhelming, hints of scaffolding and construction cranes draw the viewer in as these images are familiar to everyone, and then you can explore the pictures and put your own spin on it.
APP: We loved seeing the recent work alongside many other great Sandler Hudson artists in Summer Thunder. Is there a solo show in the works so we can mark our calendars?
BS: There is definitely a solo show in the works, still working on the dates.
APP: Speaking of other artists, who are some of your favorite mark-makers?
BS: Cy Twombly probably has had the greatest influence on me. I feel like he is ever-present. There has been such a move to take the hand of the artist out of the painting process, for better or worse, I find I always come back to painters who get their hands dirty: Joan Mitchell, Brice Marden, Pollock and Shiraga come to mind.
APP: What are some of your favorite places to get inspired around ATL? In the city or in nature?
BS: I love walking the Beltline. I feel like it is such a great addition to the vitality of the City. The Mercedes-Benz stadium was just incredible to watch as it was being built. Anywhere a building is going up or coming down for that matter. Buildings are far more interesting during the construction phase or the destruction phase, they are constantly changing while they are being built, kind of like watching a plant grow. I took many ‘thicket’ photographs of thorn bushes in Africa last time I was there, and I see this influence in the new paintings.
APP: Do you follow "Cranes of Atlanta" on instagram?
BS: No, but I will!
APP: Do that.
_______________________________________________________________________
To learn more about Brett's work, please visit Sandler Hudson Gallery or Brett's website.